The history of the Ukrainian Bandurist Chorus can be traced directly to the 12th Archeological Congress in Kharkiv, Ukraine, in 1902. The question of forming a professional orchestra of bandurists was first presented here by Hnat Khotkevych, a prominent writer, ethnographer, and composer. He provided stimulus for a renewed interest and remarkable growth in the bandura's popularity at the beginning of the 20th century, and amateur bandura ensembles rapidly formed throughout the country.

The first professional bandurist chorus was formed in Kyiv in 1918 during the height of the country's brief period of independence. Under the direction of bandura virtuoso Vasyl Yemetz, the first chorus initially had 15 members. Another such chorus, in Poltava, Ukraine, was formed in 1925 under the direction of Volodymyr Kabachok.

The mid-1920s were marked by a period of resurgence of Ukrainian arts and culture, and the Chorus developed into a professional touring troupe. As the Chorus membership, expertise, and repertoire were continually refined and enhanced, the bandura was transformed from a folk to a classical concert form.

The Chorus' history rapidly evolved into a turbulent one. The ideals of the bandurist - God, truth, freedom, and human dignity heralded through song - were a threat to the then-newly formed Soviet Union. Under Joseph Stalin's rule, artists and intellectuals were arrested, exiled or executed in an attempt to eradicate every remnant of Ukrainian culture.

Hnat Khotkevych was executed in 1938 in Kharkiv and his compositions were banned throughout the Soviet Union. Many conductors, chorus members, and blind bandurists-minstrels were also accused of enticing the populace to nationalism and were executed. In 1935 the remaining members were forced to reorganize into the State Bandurist Chorus of the Ukrainian SSR.

In the years that followed the Chorus was exploited and persecuted by both the Soviets and the Nazis. It was not until 1949 that through the assistance of allied forces many of the Chorus' members immigrated from refugee camps to the United States where many established a home base in Detroit, Michigan.

Freedom was a great blessing but not without its difficulties. Most of the members, in order to support their families, had to learn new skills that were often unrelated to their musical ability and experience. Approximately 90 percent joined Detroit's automotive industry labor force. This, however, did not prevent the bandurists from launching a series of concerts in their newly adopted homeland. The Ukrainian Bandurist Chorus was reborn.

Hryhory Kytasty, (1907-1984), long-standing conductor of the Chorus was a driving force in re-instilling Ukrainian choral and bandura art in North America. Considered a legend in his own time, this composer, conductor, performer, and teacher was a role model and inspiration to young bandurists. He continued the legacy of the bandurist (also known as a kobzar) and furthered the art of the bandura in the free world.

Today, the majority of Chorus members are 2nd and 3rd generation Americans and Canadians. Fortified by a whole new generation of young musicians, the Chorus has captivated audiences in major concert halls in the United States, Canada, Europe, and Australia for more than 50 years. The Chorus has performed for such noted personalities as former President Richard Nixon, former President Ronald Reagan, movie star Jack Palance, and former President of Ukraine Leonid Kravchuk.

In June 1991, under the directorship of Wolodymyr Kolesnyk, the Chorus completed a historically triumphant 14-city tour throughout major cities of Ukraine. The performances, which encompassed traditional ballads and instrumentals, were received with great enthusiasm and rave reviews, especially in areas of Ukraine where national consciousness had been most dormant.

As a tribute to its role in preserving and perpetuating the legacy of Ukrainian music, the Chorus was selected by Ukraine's Council of Ministers as the recipient of the Taras Shevchenko Ukrainian State Prize, the highest award that can be bestowed for excellence in the contribution to the arts. The award was presented to the Chorus by Leonid Kravchuk, then president of Ukraine, in Philadelphia, Pennsylvania, during his first visit to America in May 1992.

The Chorus returned to Ukraine again in 1994, touring the russified regions of southern Ukraine and Crimea. The Chorus' current artistic director, Oleh Mahlay, had his conducting debut as the assistant conductor during this tour.

During the 1999-2000 season, the Chorus celebrated its 50th Anniversary in North America. During its half-century in North America the Chorus produced a prodigious 26 albums, nine cassettes and six CDs. Most recently, the Chorus presented a series of Sacred Music Concerts to various communities in North America. In August of 2001, the Chorus had the distinct honor of representing the United States in Kyiv during Ukraine's 10th Anniversary of Independence
Celebration. Click here to view these and other recordings.

Most recently, the Chorus returned to Europe as part of its 85th anniversary concert season. While in Europe, the Chorus performed in Manchester and London, England; Paris, Strasbourg, and Saint Avold, France; Munich and Regensburg, Germany; and Vienna, Austria. One of the many historical highlights of the Chorus' tour was a special performance in the Cathedral of Notre Dame in Paris on July 1, 2003. The tour culminated two years worth of artistic and administrative work in celebration of the Chorus' 85th anniversary.

Picture taken during the 85th anniversary concert season.

September 28, 2003